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Codes and Decoders
The
Swiss Army watch code I stumbled on in
Blackenstein when I saw the significance of
March in the murder investigation of retired
Air Force sergeant major Robert C. Hurd
Jr. came from Rod Serling’s Twilight Zone.
It started with Fuhrman’s Murder in Brentwood
omission of the victim’s name and his false
identification of him as a retired Army
master sergeant coupled with the argument he
made about the Swiss Army knife. He made those
arguments in words, shaded mechanical drawings with
precise dimensions and photos that hid the
hammer-like quality of the German
Stiletto heel but showed the Swiss Army logo. The
key elements here were Army, sergeant,
logo, major, hammer and the brand name of the
watch that Nicole Simpson was wearing when
she was killed.
Keep in mind that Rod Serling was a U.S. Army
paratrooper (airborne) in World War Two and
that the logo on the Swiss Army watch
is located in the 12 o’clock position.
The
movie Twelve O’clock High with Gregory Peck
and Dean Jagger has a birthday link to Mark Fuhrman
and a “costume” link to Fuhrman’s aviator jacket. It
has a military school connection between Mark
Fuhrman and Gregory Peck – who has a logo
link to Kevin McCarthy and a character called
The Major (a retired Army Major) in
Mirage.
The
Hurd name led to Blackenstein and the
7 26 birthday link to the U.S. Air Force as
well as to Jack Webb’s 714 and Fuhrman’s 214 badge
numbers. The Twilight Zone’s “Dead Man’s
Shoes” had multiple actor links to Rawhide
with Clint Eastwood as cattle drover Rowdy Yates. Fuhrman identified himself with
Eastwood in another role but the Rawhide
connection came first and Rawhide is where
the Army’s 173rd Airborne
Brigade got its nickname, the Herd. In
Peacemaker ('90) Robert Forster is Yates,
a space alien who kidnaps an earth
woman. Robert Davi is Sergeant Ramos,
an LAPD detective. Forster is Steve Carroll in
Murder in Greenwich (2002) with Christopher Meloni
as retired LAPD Detective Mark Fuhrman.
During the murder trial of O.J. Simpson, most
Americans mispronounced the brand name of the
Italian shoes commonly associated with the killer.
That’s because most Americans first heard the
Italian name “Magli” pronounced the way it looks
according to English Language rules. Seeing the name
didn’t help for the same reason. English speakers in
general don’t know enough Italian spelling and
pronunciation rules to know what sound to give to
the “a” in Magli and to ignore the “g.” We do know
enough to treat the “i” on the end like the last
letter in Charley or Charlie. If we had seen “Molly”
in parentheses after Magli, we would know exactly
how to pronounce it.
In
the Bruno Magli example, Magli is the code
and Molly is the decoder. We don’t normally
think of words like these as codes and decoders –
but they are.
Cipher means “code.” All words, numbers or other
symbols that are intended to be decipherable only to
the people who use it to communicate with each other
covertly are codes. Sometimes the spelling is the
key to the message. Sometimes it’s the sequence of
symbols, the sound or the context. In any event,
every code has a decoder, a master reference tool to
translate it into an intelligible and accurate
form. Find the translator and you can read the code
if you have enough of the symbols to works with. You
don’t need all of them. It is as
Christopher
Meloni as Mark Fuhrman tells his writing partner
in Murder in Greenwich, “We just fill in the
blanks. It’s algebraic. Find the value of x.”
“To Serve Man”
The
value of “x” in the Bundy murders is a book
called Murder in Brentwood. It tells you why
so many aspects of the case against O.J. Simpson
look like they came from movie and television
scenes. It tells you that they did come from
movie and television scenes. Fuhrman groups “his”
ideas in that book so tightly and so frequently
around specific screenplay and teleplay
elements that you can often go straight to the
source. Moreover, you can pick up everyone and
everything from those sources in a 5 % fraction or
less of consecutive Murder in Brentwood pages
that fill in the blanks.
In
four months in 1994, Mark Fuhrman was the lead
investigator in four Twilight Zone-related
murders; one in March, one in April
and two in June.
June is implicit in the calendar day on
Nicole Simpson’s Swiss Army watch for the June
murders. The 3 position on the watch is
March. In the first paragraph of chapter 1,
Fuhrman gives the October 2, 1996
calendar date of his court appearance for
perjury and works in a reference to “waiting in
the cafeteria.” Nicole’s 9-1-1 call was
recorded on October 25, 1993. 2
(February) 5, 52 is Mark Fuhrman’s birthday. On the
Swiss Army watch, 10 (for October) is equivalent to
22. In the first paragraph of chapter 2
Fuhrman gives the
1:05 time when his phone
rings. He puts himself in the kitchen to
answer it. 1 is January. 5 equals 17. January 17 is
the date of the 1994 Northridge earthquake.
O.J. defense attorney F. Lee Bailey posed the
question much criticized at the time that ultimately
resulted in Mark Fuhrman’s perjury
conviction. Long before the O.J. criminal trial,
Bailey was well known as a criminal trial lawyer and
a polygraph expert. In 1982 he hosted a
television program called Lie Detector.
On page 244 of Murder in Brentwood Fuhrman
writes after quoting a statement by F. Lee Bailey, “Bailey
had a better chance of being abducted by aliens at
lunch than proving I planted any evidence.” That
sentence, all by itself, gives you everything to take you to the
Swiss Army watch code in Rod Serling’s Twilight
Zone episode “To Serve Man,” which was first aired on
March 2, 1962.
If you question the personal meaning of all
these names, numbers and descriptions to Mark
Fuhrman, ask yourself what personal meaning all
of them have to anyone else you know.
Mark Fuhrman’s friend Kevin DeVries was also
a polygraph expert. I didn’t know that when I
wrote chapter 8 of The Smoking Gun in 1998,
titled it “Twenty Two” and inserted an introductory
picture block and caption featuring Kevin
McCarthy. I had other reasons for doing that.
http://www.smartfellowspress.com/smokinggun/Twenty.html#twenty-two.
I expected readers to note for themselves that
McCarthy’s Invasion of the Body Snatchers
appearances came 22 years apart with a detour
through The Twilight Zone. I don' t think
they did.
Now
consider the role polygraphs played in the O.J.
Simpson case with O.J. who failed,
Fuhrman who
passed three years later, and in movies released prior to the Bundy
murders where Earthlings were kidnapped by aliens:
Fire in the Sky (’93) is based on a true story.
In 1975, Travis Walton said he was kidnapped by
aliens while logging in the White Mountains of
Arizona. The twist on this story is that he was in a
seven man crew when he disappeared and every man in
the crew passed a polygraph test that corroborated
his story.
A
rare grasp on how polygraph machines work can help
some people beat the machine. It also takes a rare
psychological profile that allows them to lie
without fear of detection like the fictional
character Katherine Tramell in Basic Instinct.
In other words, the polygraph machine is not a
lie detector. It’s a fear detector. It measures
physiological responses to the test subject’s fear
that the machine will register a given response as a
lie. For all seven of the White Mountain loggers to
possess this knowledge and to demonstrate this
ability is at least as unlikely as one of them being
kidnapped by aliens.
Mark Fuhrman said he was a LAPD union delegate
on the night of the murders and left the seminar
before a barbeque started. We’re talking about a
proven liar who passed a polygraph test after
writing a book that sometimes points to a specific
screenplay or teleplay with key elements that
appeared as key elements in that book. We’re talking
about a book with hidden meanings and a lawyer
“abducted by aliens at lunch.”
For
most people lunchtime is around 12:00 noon, a fact
that wasn’t lost on Rod Serling in his March
2, 1962 Twilight Zone teleplay “To Serve Man”
starring Lloyd Bochner.
To
put this in perspective you need to know that in the
1993 made-for-television movie Morning Glory,
Lloyd Bockner is a defense attorney in a murder
trial. Christopher Reeve (the alien from
Krypton in Superman with Gene Hackman) is the
defendant. In Murder in Brentwood (p. 292)
Fuhrman ends his Taking the Fifth chapter in Ukiah
with his friend Kevin DeVries and these words about
having been caught in a lie by his own words on
screenwriter Laura Hart’s audiotapes: “The
trial of O.J. Simpson was over. It was now the trial
of Mark Fuhrman.” Lloyd Bochner’s son is actor
Hart Bochner.
“To Serve Man” begins with Canadian
actor Lloyd Bochner as
Michal
Chambers, an alien kidnap victim, lying
 on a bunk
smoking a cigarette onboard the alien’s spaceship.
The first voice you hear comes through a speaker
above the door that looks like a flashing coil in a clear
glass dome. It says, “Mr. Chambers, Mr. Chambers. It
is the mealtime. Kindly state your
preference.”
Joseph Ruskin
is the voice of all the aliens. The thing to
remember about him, although you never see him in
the screenplay is that he has a pockmarked face.
Chambers swivels out of his bunk, stands, throws the
cigarette butt on the floor and crushes it out with
his shoe. He invites the voice to “take a flying leap
at the moon.”
He
pushes a button on the wall that opens a panel with
a mirror. He pushes it again and gets a sink with a
water tap.
He splashes water on his face and ignores the
voice telling him to conserve water. Then he goes
back to his bunk and asks the voice what time it is.
After some sparring about the relative meaning of
time, the voice tells him that it’s 12 noon.
Chambers lies back on his bunk and lights
cigarette with
 a
match. As he exhales he mutters, “Twelve
noon. Twelve noon.” Then you hear him thinking, “This
is the way nightmares begin or, perhaps, end. Very
simple, direct, unadorned. Incredible, yet so
terribly real that even while they’re happening we
live with them and digest them and assimilate them.
And if it’s 12 o’clock noon, that’s what you
preoccupy yourself with. You don’t think about 12
o’clock noon the next day or the day after that. But
that’s what we should have been thinking about;
tomorrow and the day after tomorrow. We were
preoccupied with the hands on a clock when we should
have been checking off a calendar.”
There it is.
Twelve noon is the Swiss Army logo.
The hour gives you everything associated with
Fuhrman in the 1949 Army Air Force movie Twelve
O’clock High. The hands on Nicole Simpson’s
Swiss Army watch represent civilian time as well as
military time (the same as LAPD time). But if you
look at the numbers on the clock as calendar
dates instead of the hands on the clock as
hours and minutes, you get everything in the
Blackenstein Background Notes about the code. If
you test the code against the
1:05 time that Ron
Phillips called Fuhrman to tell him about the
murders in Brentwood, you get the date of the 1994
Northridge earthquake and more. You get a map
linking polygraph expert Kevin DeVries (lived
in Northridge before he moved to Ukiah) Phillips,
and the Robbery/Homicide detectives who would be
taking the case from West L.A.
The
3 o’clock position on the Swiss Army watch gives you
the month of March and a 1987 movie called Three
O’clock High with
Philip Baker Hall,
John P. Ryan
(appeared with O.J. in A Killing Affair),
Jeffrey Tambor
and
Mitch Pileggi.
There are few aspects of Fuhrman’s association with
the O.J. case that don’t have links those three
actors to. And they all funnel into The Twilight
Zone by way of Jeffrey Tambor’s role in “Dead
Woman’s Shoes” with Helen Mirren and
Nana Visitor
(both born on July 26). In Europe and the military
that date would be written 26 7 for the day
followed by the month.
Mark Fuhrman investigated the murder of Dawn Gamez
on April 6, 1994. He zeroed in on her husband
Harold Gould as the killer almost immediately,
rejecting Gould’s story that he struggled with an
intruder who had a pockmarked face and a
goatee. The trouble with Fuhrman’s rejection of
Gould’s story is that it has salient features of one
of his.
Chambers tells his story in flashback of how he came
to be on the ship beginning with 12 noon on the day
in April when spaceships landed on Earth. The
signs in the picture of people, tucks and cars on
the busy cobblestone backstreet tell you what
they mean to Mark Fuhrman. Windsor is the
town closest to the Santa Rosa Airport where Fuhrman
flew to meet his polygraph expert
buddy Kevin Devries after the Laura Hart
tapes exposed him as a liar. The “..PER & SON
GOLD” sign on the right needs no explanation.
Neither does the “Florist” sign partially obscured
by the “WINDSOR CAFETERIA” sign. You know
what the thick + sign means in Murder in
Brentwood and you know that Fuhrman erroneously
called the surface of the murder scene walkway “cobblestone”
(page 12).
The
cafeteria sign is a typical Rod Serling clue about
what is in store for the people in the picture. It’s
a code. If you decipher the code you know
what’s going to happen to them. Serling drops
another clue about what is going to happen when
Chambers says, "...we milled around like frightened
farm animals looking for formulas and
father images."
As
word of the space ship landings spread The United
Nations meets in an emergency session.
 The secretary
general tells delegates and reporters the
little he knows. There have been other landings in
the United States, Europe and South America. The
aliens call themselves Kanamits. They have made no
hostile moves.
A
formally attired man in a hat carrying s briefcase
and walking with a stiff, brisk stride walks into
the room and gives the secretary general the latest
news. A spaces ship has landed a few blocks away.
Seconds later a towering shadow crosses over the
delegates. They look up in amazement at the 9’ tall
humanoid in a long white gown – a Kanamit carrying a
book. He seems to refer to the book
occasionally as he addresses the delegates.
Richard Kiel
is the Kanamit ambassador. He does not move his lips
as he speaks because
 Kanamits do not communicate
verbally. His voice (Joseph
Ruskin, the actor with the pockmarked face)
is mechanical. His huge head is necessary to house
his huge brain. Kanamits are far more advanced than
humans. The Kanamit assures the humans that their
only motive is to give the people of Earth the peace
and prosperity that Kanamits enjoy. He offers the
human’s fantastic devices that will end natural and
manmade catastrophes like famine and war and urges
them to test the noble intentions of his people by
simply testing the devices. He places the book on a
table and leaves.
The
Kanamits make good on their promises big time.
Barron soil becomes fertile. Force fields around
cities make war on earth obsolete.
Chambers calls the Kanamits “Santa Clause” without
white whiskers – although the Kanamit ambassador to
the U.N. did sport a light-colored goatee.
Rod Serling, in his introduction to the teleplay,
calls them “Christopher Columbus.”
Some military men are not convinced that the Kanamit
intentions are benign. Two Army Signal
 Corps
colonels (Bartlett
Robinson and
Carleton Young
– the Army prosecutor in Sergeant Rutledge)
believe that they can find the answer if they can
decode the Kanamit book. They want Chambers, the
top decoding specialist for the U.S. government,
to tell them “exactly” what the book says. They
already have a big clue in the number of letters and
the sound of the first two syllables in
“Kanamit” but nobody sees it. If the Kanamits where
human they might have seen it. They aren’t. They are
merely humanoid.
Chambers and his team do
their best. Chambers explains as he stands before a
wall map showing part of Earth, “We tried pretty
much of everything; single transposition, double
transposition. We’ve tried every know method of
cryptology there is…standard, direct, reversed,
systematically
mixed, keyword mix, random mix,
reciprocal, conjugate – every nature
of sequence
there is.”
However, Cambers does not share the
 colonels’ concern. He was impressed by the wonderful
things the Kanamits promised and delivered on in
just eight hours. The evidence of their good
intentions are obvious and his gut feeling is that they
are “looking a gift horse in the mouth.”
A colonel
asks him if that's his professional judgment or just
"Kentucky windage."
Chambers' decrypting associate Patty hurries into
the room with news that they have deciphered the
title of the book, “To Serve Man.” She puts
the handwritten not on the table in front of
chambers. Sounds good to
Chambers. Patty and the colonels want to believe
that the title is as altruistic as it sounds but
they aren’t sure what to make of it.
In the coming weeks the
Kanamits pile on a mountain of evidence that they
really are the good
guys they claim to be. Their
U.N. ambassador even agrees
 to submit to a
polygraph test administered, of course, by an
expert and recorded on film.
The expert first explains
to the full assembly of U.N. delegates on a large
screen how the polygraph works with the Kanamit
hooked up to the machine. The test is simultaneously
shown on television around the world.
The expert explains that
because the Kanamit physiology is unknown, he must
first determine whether their responses to the
machine are the same as humans. To do this he asks
the Kanamit to answer a question with an obvious
lie. He does. The graph needles on the polygraph go
wild, showing that he is lying. The expert asks him
to answer the same question again. The obvious truth
shows up on the machine as a steady beat. The expert
does this twice on film and tells the audience that
similar tests were performed repeatedly to show that
the space alien’s physiological responses to the
machine were, indeed, the same as humans.
Now comes the big
question. “What is the motive of the
 Kanamit people
in offering such great gifts to the people of the
Earth?”
The Kanamit replies, “I
hope that the people of Earth will understand and
believe when I tell you that our mission on this
planet is simply this: to bring to you the peace and
plenty, which we ourselves enjoy, and which we have
in the past brought to other races throughout the
galaxy. When your world has no more hunger, no more
war, no more needless suffering – that will be our
reward.”
Chambers tells us, “And
the machine showed no deviation. According to it,
the Kanamit was telling the truth.”
Actually the Kanamit
was telling the truth. He did hope that the
people of Earth would “understand” and believe his
bullshit.
And they did.
Everything they saw, heard and experience for
themselves told them how beneficent the space aliens
were. Hunger? Gone. Disease? Gone. War? A thing of
the past. The Kanamits set up embassies in every
country and arranged tours for earth people to visit
their planet. There were now a few thousand Kanamits
on earth and for every one of them who came here a
thousand humans went to their planet. It was a
no-brainer. The Kanamits had demonstrated their
altruistic intentions on Earth and the evidence that
their home planet was like a combination of
Disneyland and the Garden of Eden was convincing.
Earth people who went there aboard the alien
spaceships raved about the place in letters to
friends and relatives.
You
get a good feel for the spirit of the times with
people lining up to board a spaceship on
flight
267 (as in 26 7 or 26 July). They pack little
or no luggage as they tell each other about what
they heard they would experience when they got
there. A woman heard from her sister that she would
go on a shopping spree where clothes were spun of
gold and she could get all she wanted. A man is
beside himself with the prospect going to another
planet that has a game similar to baseball, with
leagues and everything. No one questions why they
weigh in on a scale before they go aboard or why the
friendly Kanamit who weighs the smiles so broadly
when a man weighs in considerably heaver than most.
 With no more wars and no more need for secret
messages, Michael Chambers and his staff of decoders
have noting to do. He and Patty are on a long
waiting list to go to the Kanamit home planet.
Months have passed and they have gotten no farther
in cracking the Kanamit book code than the title,
“To Serve Man.” Chambers has given up on it. Patty
is sill plugging away just for the hell of it. She thinks
she’s close.
Finally Michael Chambers’ name comes up on the waiting list
and he happily begins mounting the stairs to the
spaceship. He hears Patty’s voice calling to him and
stops to wave at her. But he sees a moment later
that she didn’t push ahead of the line to wish him
bon voyage. She says, “Don’t get on that
ship. The rest of the book…It’s a cookbook!
http://www.tvacres.com/cooks_kanamits.htm
 
Recognition of what she’s saying begins to break
across his face. Full recognition that he is being
abducted by beings who regard humans the way
humans regard cattle turns to panic. A Kanamit
raises the stairs as Chambers fights to get off. Too
late. The stairs retract to become a closed door.
The ship zooms up and away. Michael Chambers is the first
of humanity to leave the planet kicking and
screaming. The rest were taken the alien
slaughterhouse by guile.
 
 
The
spaceship is the one used in the 1956 sci-fi
classic, Earth vs. the Flying Saucers. Space
aliens kidnapped humans in that movie, too. However,
they weren’t the extraterrestrial equivalent of
cattle drovers and “lunch” had nothing to do with
it. It had nothing to do with a liar passing a lie
detector test and it didn’t have
Lloyd Bochner.
For
anyone who thinks the extraterrestrial "cattle
drover" link between Bockner in "To Serve Man" and
to Mark Fuhrman in Murder in Brentwood is a
weak one, consider this:
In
Murder in Brentwood, Fuhrman associated a
phone number (his own) with a kitchen
when he wrote that he answered the "1:05"
phone call from Phillips in his kitchen. In his 5th
Bundy crime scene note (page 20) he writes, "Handwritten
note on upstairs coffee table, 'Cara 575-5713
Cal Pizza Kitchen.' Pizza menu by
female victim's left leg." One is equal to
13 on the Swiss Army watch. 5 is equal to
17. 1 (the hour of Phillips' call), 5 (the
minutes), 7 and 3 are the only digits in the number. 173 is the
Herd. On page 207 he writes, "Nicole Brown Simpson
is sitting in the upstairs living room of her townhome. A telephone and two take-out menus
are nearby. Perhaps she is on the phone, or she is
planning to order some food for her friend
who is coming over." Three paragraphs later on page
208 he has her passing through her kitchen.
Now
consider this:
The
Kanamit brought his cookbook into a room
 where
a man in a suit and tie behind him was taking
handwritten notes and he left his book on a
table. Cookbooks are normally kept in a
kitchen. Do you suppose sharp knives and human
blood have anything to do with the preparation? What
do you suppose the Kanamit cookbook suggested for
pizza toppings? If you think that pizza is a
stretch, it could be because
I left out a
few things. One of the things I left out was what
Chambers said when he saw the translation of the
book title. He said, "Well, that makes the cheese a
little more binding, wouldn't you say,
colonel?"
You'll see just how significant that is when you see
another screenshot I left out, the one that came
just before the shot of the street with the signs
that said, "Gold," "Florist," and "Windsor."
All you need
to see here is the
Pepsi
sign on the far right.
http://en.wikipedia.org/wiki/PepsiCo
click on the link and scroll down about halfway to
"Former brands." They include
Kentucky
Fried Chicken
(remember Colonel Sanders?),
Pizza
Hut and
California
Pizza Kitchen
(from 1992
to 1997). One of the Signal Corps Colonels is
leaning over the desk with his hands on each side of
a telephone when Patty brings in the handwritten
note about the book title.
The
significance of the cookbook is not that humans are
ingredients in the recipes; it's that recipes are
formulas and the formulas for the Bundy murders,
preceded by the Gamez murder and the Hurd murder
where formulas taken from movies and put into
Fuhrman's first book.
Here is what Michal Chambers says about menus as he
finishes his story and his hunger is about to get
the better of him even though he knows he's being
fattened up for slaughter:
"How about you? Are you still on earth or on the
ship with me? It doesn't make much difference
because sooner or later we'll all of us be on the
menu -- all of us."
Fuhrman’s Fifth
There is another way
to check the validity of the proposition that
Fuhrman’s “abducted by aliens at lunch” line came
from the “To Serve Man” episode of The Twilight
Zone.
Playing the Scrabble
game with one line in Fuhrman’s 5th Bundy
note gives you Kanamit
Cal
Pizza
Kitchen
Pizza menu
Cal Pizza itchen
Pizza menu
K
Cl Pizza itchen
Pizza menu
Ka
Cl Pizza itche Pizza
menu
Kan
Cl Pizz itche Pizza
menu
Kana
Cl Pizz itche Pizza
enu
Kanam
Cl Pizz tche Pizza
enu
Kanami
Cl Pizz che Pizza
enu
Kanamit
Mark Fuhrman “took
The Fifth” for telling a “stupid” lie under oath. It
was anything but stupid if he was planning to write
a book based on a formula for selling
himself as the author of a surefire bestseller. If
he was planning to write such a book, when did
he decide to do it?
Look at what you get
with all of the letters in Mark Fuhrman’s 5th
note used as Scrabble letters to choose from:
Handwritten
note on upstairs
coffee table, “Cara
575-5713 Cal Pizza
Kitchen.” Pizza
menu by female
victim’s left leg.
Handr note n upstars coffee table,
“Cara 575-5713 Cal Piza Kitcen.” Pizza menu by femae
victim’s left le.
Twilight Zone –
Handr
note n upstars
coffee table,
“Cara
575-5713 Cal Piza Kitcen.”
Pizza menu by femae victim’s
left le.
Hd
n n upstar coffee table,
Cara 575-5713 Cal Piza Kitcen. Pizza menu by femae
icti’s left l.
Twilight Zone – “to serve man” –
Hd
n n upstar
coffee
table, Cara
575-5713 Cal Piza
Kitcen.
Pizza menu by femae icti’s left l.
Twilight Zone – “to serve man” –
Hd
n upstar ofe table,
Car 575-5713 C Piz Ktc. Pizza menu by femae icti’s
left l.
Twilight Zone – “to serve man” – an
alien face –
Hd
n upstar ofe
table, Car 575-5713
C Piz Ktc. Pizza
menu by femae
icti’s left l.
Twilight Zone – “to serve man” – an
alien face –
d n
upst of table, Car
575-5713 Piz Ktc. Pizza menu y feae icti’ left l.
Twilight Zone – “to serve man” – an
alien face – Chambers
d
n
upst of table,
Car 575-5713 Piz Ktc.
Pizza menu y feae icti’ left l.
Twilight Zone – “to serve man” – an
alien face – Chambers
d
pst of table, Car
575-5713 Piz Ktc Pizza menu y feae icti’ left l
Twilight Zone – “to serve man” – an
alien face – Chambers – U.N.
d
pst of table, Car
575-5713 Piz Ktc Pizza menu y feae
icti’ left
l
Twilight Zone – “to serve man” – an
alien face – Chambers – U.N.
d
pst of table, Car
575-5713 Piz Ktc Pizza menu y fea cti’ left
Twilight Zone – “to serve man” – an
alien face – Chambers – U.N. – lie
In “To Serve Man”
the humans bought a lie that made them think they
were boarding a space ship to Eden while they were
being herded aboard a cattle car on its way to a
slaughterhouse. From here you can go in that
direction with the letters you have left to spell “cattle
car” and “Yates”
(Clint Eastwood’s cattle drover character in
Rawhide) while leaving the “Pizza menu” intact.
d pst
of table,
Car 575-5713 Piz
Ktc Pizza menu y
fea cti’
left
Twilight Zone – “to serve man” – an
alien face – Chambers – U.N. – lie –
d
pt of bl, 575-5713
Piz Ktc Pizza menu fe
i’ f
Twilight Zone – “to serve man” – an
alien face – Chambers – U.N. – lie –
cattle car – Yates
Fuhrman’s choice of
words in his fifth Bundy note also allows you to go
another way after you extract the
lie. Instead of
cattle car and Yates you can get these incredible
phrases:
d
pst
of
table,
Car
575-5713 Piz
Ktc Pizza
menu y fea
cti’
left
Twilight Zone – “to serve man” – an
alien face – Chambers – U.N. – lie
p f
bl, a 575-5713 P z
c Pizza u y f c’ f
Twilight Zone – “to serve man” – an
alien face – Chambers – U.N. – lie –
Kanamit lie detector test
And…
p f
bl, a 575-5713 P
z c Pizza u y f
c’ f
Twilight Zone – “to serve man” – an
alien face – Chambers – U.N. – lie –
Kanamit lie detector test
b,
a 575-5713 P z c
Pizza f c’ f
Twilight Zone – “to serve man” – an
alien face – Chambers
– U.N. – lie – Kanamit lie detector
test – fly up – ABC
How
is that for flexibility and detail? Those happen to
be Mark Fuhrman’s watchwords. Look at the
flexibility you get with “Chambers.” It is the face
of an alien – not a Kanamit – an alien (Canadian)
actor (Lloyd Bochner) who plays
Chambers
– and the base name to get CBS. “To Serve Man” was
first broadcast on CBS. When CBS canceled the series
in 1964 ABC offered to pick it up under a different
name. Rod Serling refused the offer.
Any
of these “To Serve Man” interpretations of Fuhrman’s
fifth note gives you most of his handwritten
characters, including the parentheses and the
periods (Patty, a blonde woman, gave Chambers the decoded
Kanamit cookbook title on a handwritten note). The
phone number and a pizza stay intact with their own
coded messages. A telephone number is a code. It
represents a name on a telephone bill. In this case,
it also represents a fax number closely linked to
Fuhrman’s investigation of a murder victim in Nevada
name Hurd.
No
matter how you look at it, Fuhrman’s fifth note is a
coded message (or two) with a telephone number
untouched and a teleplay as the master decoder. This
is Fuhrman in the early hours of June 13, 1994
telling Ron Phillips what we know he did in the
following months leading to his testimony in the
O.J. case, in writing his book and in promoting it.
Fuhrman met with Laura Hart McKinny (Lloyd
Bochner’s son is Hart Bockner) for lunch
at Alice’s Restaurant with a representative of Fred
Dryer’s production company to pitch a screenplay.
Fuhrman writes in his book that he believes O.J.’s
defense learned about the tapes that exposed his lie
in court at that lunch. Between his testimony in the
preliminary trial and the criminal trial he flew
up to the Santa Rosa Airport in Windsor
to meet his friend Kevin DeVries, the polygraph
expert. In the criminal trial he told a provable
lie under oath about a derogatory word, of all
things, that ultimately worked to his advantage. He
said that he used it as a fictional character in a
screenplay project.
The
controversy and drama set up by the revelation that
Fuhrman did lie under oath, for whatever reason, was
not an incidental part of his book-writing success.
It was a key ingredient in a formula that assured
the book’s success before he wrote it as the
controversial first lead detective in one of the
biggest murder trials of the 20th century
and a star witness. On March 17, 1997, Fuhrman took
a custom-designed polygraph test in private
sponsored by his publisher. According to that
polygraph expert, he passed. The results of the test
were broadcast on ABC on March 19, 1997.
Fuhrman’s fifth Bundy crime scene note is a
precursor to this entire string of events.
One more
thing (thanks to Rovaan)...
The five
letters and the apostrophe left over from the Scrabble game with "To
Serve Man," (P, Z, C, F, F) are not throwaways. When
Chambers in space asks the Kanamit what time it is
on Earth, the only time applicable to the entire
planet is
Z (Zulu -- military and aviation) time. Z
stands for Greenwich Mean Time. From there the world
is divided into time zones from A to Y with the
exception of "J" -- 25 in all. This is
another example of time relating to a map as you see
with the Swiss Army watch and the time Ron Phillips
called Mark Fuhrman to tell him about the Bundy
murders.
P (Poppa) is
the time zone that includes Argentina. The first
U.N. delegate to pose a question to the Kanamit was
from Argentina... "Why did you choose this planet to
visit?" C (Charlie) is the
 time
zone that includes Russia. The last U.N. delegate to
pose a question to the Kanamit ("What are your
motives for coming here, quite uninvited?") was the
delegate from the Soviet Union. F (Foxtrot) is a
time zone occupied by one small group of islands
south of Sumatra and northeast of Australia (a.k.a.
Oz). You can't see that group of islans over
Chambers' left shoulder on the world map as he
explains different decoding methods, but that's
where it is. Off the coast of
Costa Rica is a single island called Cocos.
http://en.wikipedia.org/wiki/Cocos_Island,
the inspiration for Robert Lewis Stevenson's
Treasure Island.
"Cocos Island is located on almost the exact
opposite side of the globe as a group of islands
with the same name, the
Cocos
(Keeling) Islands
south of
Sumatra"
Costa Rica
is represented early in "To Serve Man" by a U.N.
worker setting identification placards in slots in
front of empty delegate seats at noon just before
the Kanamit ship lands nearby. Columbia is the "C"
in CBS, which stands for Columbian Broadcasting
Network, the network with one eye for its logo. The
screenshots on this page came from a CBS video
On the page
after Fuhrman's notes in Murder in Brentwood (page
22, paragraph 1) Fuhrman writes: "By now it was
about 3:00 A.M. Brad [Roberts] and I were talking
about being relieved from the scene and eating
breakfast before beginning our normal shifts. Ron
[Phillips] was standing nearby, and we asked him,
half-jokingly, to take us to breakfast at
Coco's
restaurant, one of our favorite early morning eating
spots."
That leaves
only one "f.." You don't suppose it has anything to
do with the name Fuhrman put at the top of his notes
in the book? It's not "Foxtrot" but it has the
same number of letters. --Jasper |
